"A remarkable achievement. An intricately woven, complex and remarkably current examination not just of gay marriage, but of the gay American experience. Pivotal and powerful, it explores the burden of being different, the battle over same-sex marriage and the destructive hatred of the farthest extremes of America's conservative movement."
- Mike Raggazino, Fairfield Weekly

"Sincere emotion, righteous anger and a striking musical score. When a troubled teenage student sings the plangent "Have You Ever Loved," followed by a teacher's soaring "Kitchen Table," the evening finds its true heart. Connors' score is lilting and accomplished, doubling as director, he fine-tunes an excellent cast, starting with Michael Lowney's sensitive Mark and Susan Terry's unyielding Sarah. As the empathetic Milling, Rob Sutton has the evening's best pipes. Tom Stuart as Bobby, Carolyn Marcell as his mom and Larry Daggett in several roles are also laudable. "Mothers and Sons," spreading love around, attempts to enlarge a smoldering social issue."
- David Rosenberg, Norwalk Hour

"Secrets swirl like dry leaves from an autumn tree in a moving and heartbreaking musical with stirring songs under the sensitive direction of Kevin Connors."
- Bonnie Goldberg, Middletown Press

"Connors' music is well conceived and musically directed by David Wolfson. "What Have You Got To Lose," "Kitchen Table" and "I'll Always Be There" are especially memorable numbers."
- Joanne Rochman, Hersam-Acorn Newspapers

"A carefully-crafted tale that comes through with touching dilemmas, often reflected in Connors' melodic songs. Powerful notes soar out over the audience."
- Irene Backalenick, Connecticut Post

"The Cerme de la Crème of 2007! A new holiday favorite was Joe Landry's beautifully rendered version of "It's a Wonderful Life" staged as a radio show at MTC MainStage in Westport. This story of George Bailey had a splendid set, authentic costumes and a great cast in addition to the heartwarming story of redemption and renewal of faith."
- Bonnie Goldberg
Middletown Press

"One might think that, given the setting and the fact the actors shift characters often in mid-breath, there would be a certain emotional distancing with regard to the basic story. After all, the audience can "see" that these are actors assuming multiple roles and that what a radio audience might envision in its collective theater of the mind is really all sham and sound effects. Oddly enough, that doesn't happen. Perhaps this is because the story line is so familiar that its mere evocation can bring a clutch to the throat and a tear to the eye, but I'd rather put it down to Kevin Connor's direction and the cast's skill in bringing the multiple characters to life. The emotional thrust is such that when George is finally returned to Bedford Falls, lip once again bleeding and deaf in one ear, the audience shares his glee at merely being alive and when he joyously greets the town's familiar sights, sounds and residents his epiphany is shared by those watching the performance."
- Geary Danihy
Brooks Newspapers

"Mr. Connors has a long history of directing Las Vegas revues - a genre that fits PRIME TIME PROPHET as snugly as a skin-tight fake-leopard bikini."
- Stephen Holden
The New York Times

"The humor in PRIME TIME PROPHET is clever and sophisticated with music, lyrics and direction by Kevin Connors. Hilarious one-liners run rampant, music is lively and fun, and there's some great choreography." -
- Laurie Lawson
Punch In International Syndicate

"PRIME TIME PROPHET put the fun back in fundamentalism!"
- John Sarna
New York Law Journal